Dude, right now is B-Fraze’s MOMENT!

Daveo Mathias
is a person
in Los Angeles.
He also writes
& performs.



Lance Lants:
Pro Paparazzi

A Rapper Talks
About His Penis

Anne Frank Goes
To Bandcamp

The Last Supper

Scientology

Club Bang(h)er

Bawitaba, Woodstock

You Are Not
The Father

The Girls

The Kodak Moment

Best Gift Ever

WePilgrims

McSweeney's
Seriously, Texas? You have nothing better to do with your time? Drug laws are in place to keep society from falling apart when all of our children become heroin addicts. Do we really need to enforce them on best selling rapper in the world? He clearly is doing okay with them in his life. He’s not gonna hand a blunt to your 4th grader. He’s not dealing pot outside the local high school. Sure, Weezy’s smoking several blunts a day, but he’s also recording twice as many songs. So if you ask me, take the fucking weed and let him go, coppers. Our economy is terrible enough. We don’t need to lose the most valuable rapper on the market to some marijuana.
“We used to play a game called ‘Let’s Go Get Lost,’” Waits remembered of their early courtship. “We’d drive into a town and I would say, ‘But, baby - I know this place like the back of my hand, I can’t get lost.’ And she’d say, ‘Oh, hell you can’t, turn here, now turn here. Now go back, now turn left, now go right again.’ And we’d do that all night until we got lost, and she’d say, ‘See, I thought you knew this town? Now you’re getting somewhere, now you’re lost.’”
Sometimes they’d end up in the scariest parts of south-central LA, or further out in Native American neighborhoods - places, Waits joked, where you could get shot just for wearing corduroy. “We were going into these bars - I don’t know what was protecting us - but we were loaded,” he recalled. “God protects drunks and fools and little children. And dogs. Jesus, we had so much fun.”
Seriously, thinking about saving up to fly to New York for this.
I like the xx because they feel like a band that came in second place in the 1994 Torrance High Talent Show (losing to some jocks in a Green Day cover band), and for some reason, the runner-up’s prize was to be cryogenically frozen for 15 years to preserve their awesomeness until it was ready to be appreciated by nostalgia-hungry hipsters.
Really though, love this shit.
Wow. What a convenient acronym.
You can’t really blame “the Ope” for ending her show. I mean, “OWN”?! Damn, girl. God seriously had a plan for you.
Dirty Money - Love Come Down
I’m in love with this beat. Can’t stop, won’t stop. Eh-eh! Eh-eh!
Terence Koh x Converse 1HUND(RED) Artist Series Chuck Taylor
(via hypebeast)
Gives new meaning to “White Power.” Must cop!!11!1!!!!
Clipse - “Popular Demand (Popeye’s)”
Fuck! Re-Up has been dropping so many videos, my Tumblr’s becoming nothing more than a Clipse fan page.
This track is my favorite (thus far) off of Til The Casket Drops. The vid’s not as cool as Doorman, but considering it’s shot at a restaurant called “Obama’s,” I can’t really complain. I really wish Pharrell would’ve been there for the shoot, but I guess he’s too busy owning Japan and such. And, damn, Cam’Ron looks way different since the good ol’ days!
If Tom Ford’s A Single Man is 1% as dope as his designs (or ads), this will be the sickest shit of the year. The film follows a gay British professor living in 1960s Southern California on the day that his lover dies -a plot that I feel has the potential to be a great drama with homosexual characters, without falling victim to Brokeback-syndrome. Considering Ford himself is gay (and fucking bad-ass, I might add), I think we can trust him to have not made a movie thats goes out of its way for the “Ooohh! Guy on guy! So risque!” reaction, but rather just tells a good story.
As for Ford’s direction, the move from fashion to film feels like a grand slam vs. strike-out situation, and in this case, I’m calling “Back! Way back! To the wall!” Who’s next? Marc?????? Hopefully.
I don’t really follow Colin Firth but people are starting to mention “Oscar” in the same sentence as his name, so I’m pumped to see his performance. As for my main girl, J.Mo… girl’s gonna straight kill it. She already owned the seventies in Boogie Nights, eighties in Big Lebowski, and twenties (2020s, that is) in Children of Men, so Lord knows how spectacular she’ll be in the Mad Men era.
Oh, and the shot at 1:07 of the girl in the blue dress. Beauti-fucking-ful. I’ve never been so grateful not to be blind.